Showing posts with label X-Men. Show all posts
Showing posts with label X-Men. Show all posts

Wednesday, July 30, 2025

Let's hear it for James Gunn!

We honestly have to give Director James Gunn top marks for finally producing a superhero movie that I, personally, have been waiting years to see. He has developed the “initial” movie in a planned ongoing mythology that bypasses the (so-called) “mandatory” (re)telling of the hero’s origin when the lead actor has been replaced and does what I’ve been talking about for quite some time now. Just tell a story.  In one interview, Gunn said it himself. “We don’t need to go there.” Gunn’s statement acknowledges that—for all intents and purposes—we all know the basic elements of Superman’s origin and his arrival here on Earth.

Needless to say, while there certainly are many superhero characters who are not known by the general public, there are quite a few whose origins are already known or already explained in previous films. As I’ve pointed out elsewhere (over and over) retelling a character’s origin is something oddly specific to superhero films. Rebooting a story and retelling the main character’s origin is just bad storytelling. By way of example, Let’s look at the cinematic history of James Bond, perhaps one of the most well-known fictional characters who doesn’t wear spandex.

Since his debut film, Dr. No in 1962, there have been 29 Bond films (including the original Casino Royal and Never say Never), seven actors (including David Nivin) who have played Bond, and some 27 villains. Further, we never got an actual origin story for Bond until Daniel Craig portrayed him in Casino Royal (2006). Compared to Lex Luthor appearing in five of the seven solo live action films; Green Goblin appearing in three of the Eight solo live action Spider-Man films; Magneto appearing in eight of the 14 X-Men films; and the Joker appearing in seven of the 13 Batman films.

My point here is that many of these comicbook characters have been around for 87 (Superman) to 62 (X-Men) years, and yet the films keep going back to the same legacy villains when each of the various heroes has around 100 (or more) villains, not every film has to go back to the same small group of villains when each of them have such a wide wealth of a rogues gallery. This is why Marvel introducing movies with The Guardians of the Galaxy (under Gunn), Ant Man, and Dr, Strange, are important.


Hopefully, now that Gunn has brought the Guy Gardner Green Lantern, Metamorpho, and The Engineer into the DC Cinematic Universe (with the promise of more of the same) we can all move past that there are only a few heroes with only one villain each.



 

Monday, February 20, 2023

ShieldMaster to the Rescue


While comicbooks themselves (one word, not two, we’ll explain later)[i] can be trace back to Geneva, Switzerland back in 1837 then then jumping to appear in the UK and the U.S. in the 1840s. Here in the U.S. the recognized dawn of comicbooks in the States began in 1897, with the publication of The Yellow Kid in McFadden’s Flats has long been considered to be the first U.S. comic book (still one word, more later), insomuch that it actually bore the phrase “comic book” on its back cover. Still, it wasn’t until 1938 and the debut of Superman in Action Comics #1 that the Golden Age of comics truly began. This Golden Age ran from ’38 ‘til ’51, with the resurgence of comics as viable pop culture medium occurring during the Silver Age which ran from 1956 through 1970[ii].

Throughout the intervening years, comics have morphed into various changes, altering size, price point, format, delivery methodology, and even ultimately jumping from the static page to TV, Film, and currently living on the internet. Still, for those of us who were first introduced to comics in their “All in color for a dime”, 32-page, episodic original incarnation; even those of us (your humble narrator included) who came of age during the second (third?) great age of comics; The Silver age which ran from 1956 through 1970[i].

Needless to say, there were some folks who were there during the Golden Age, who stuck around and/hoor were still influential in one form or another. One of those people was Joe Simon, who was the partner of Jack Kirby who has been credited with founding the look of the Marvel Universe. It is no secret that one of Joe and Jack’s greatest creation has been Captain America, who, in his first cover appearance was depicted as punching Adolf Hitler in the Jaw on the cover of Captain America #1 in 1941 a full nine months before the U.S. entered the war.

Now some 80+ years later, Jesse Simon, the Grandson of Joe, along with his father Jim (Jo’s son) have brought a new set of heroes into the fold, all reminiscent of his grandfather’s greatest hero. ShieldMaster is a comicbook about four teenagers from Montauk, NY just off the eastern end of Long Island. The teens wander onto a decommissioned military base and come across a set of extra-dimensional shields that imbue them with supra-normal powers and abilities, transforming them into the incarnations of powerful warriors that once protected another world in another dimension. The first two issues of ShieldMaster initially appeared as an Illustrated graphic album entitled ShieldMaster Comics Phoenix Project and was then continued as ShieldMaster Comics in an anthology comic, packaged with The Fly in a new story by Jim Simon as well as a Blue Bolt reprint by his grandfather, Joe.

Upon reading the series, the first thing readers will see is the similarity in art style between the that of Reed Man’s and the art of many of the popular comics from the Golden age. Another aspect of the series is the rather simplistic storytelling style. To be sure, this is not so much of a slam as it is an observation of a comics historian with 50 years of first-hand knowledge of the field, from multiple angles; from that as a fan, a journalist covering the field, as well as a professional working for both major and minor publishing houses, plus publishing my own comics.  

One of the aspects of ShieldMaster (as well as Golden Age) comics is the shear simplicity of the storytelling; heroes are good guys because they do the right things, while villains are bad because they do bad things. There was little if any subtility to the storytelling during that era, some of which spilled over into the early days of the Silver Age with the appearance of the original Brotherhood of Evil Mutants in X-Men #4 (March 1964), because truthfully, no real world organization would actually use the word “evil” as part of their name. As the medium evolved, subtilty and layers of storytelling were added to what was once believed to be solely a child’s medium. Needless to say, this simpler, straightforward style of storytelling is not entirely without its charm. Plus, for all of its layered subtility, a simpler, more to-the-point style of telling a story is probably more effective for a small publisher without a clear, regular publishing schedule.  

Having said all of that, as someone who spent the Lion’s share of his life reading, and working in and around comics, seeing the scion of a comicbook legend entering the field is a most amazing, and heartfelt sensation. (Back in 2010 Jason Goodman, (another third-generation offspring, the grandson of Martin Goodman (who founded Atlas, which became Marvel) and the son of Chip Goodman (who launched Atlas/Seaboard back in ’74) attempted to bring Atlas Comics back into the funnybook publishing industry with the characters from the ’74 re-launch.

In conclusion, we wish Jason and Jim all the best in their noble endeavor to keep Joe’s legacy alive in the field that he help found.

For more information about ShieldMaster, check them out on Facebook, or Twitter.



[i] Stan Lee once stated that “comicbooks” should be written as one word because they are neither either “comical” or “books” but by combining them into a single word, they actually become an entirely new genre. Hence we have since referred to our medium of choice by the nomenclature that Stan laid on it.

[ii] The accepted eras for comics are as follows:

1 Platinum Age (1842-1938)

2 Golden Age (1938- c. 1951)

3 Silver Age (1956 -c. 1970)

4 Bronze Age (c. 1970 – c. 1985)

5 Iron/Modern Age (c. 1985 - present)

 

Wednesday, February 06, 2019

My Heroes Have Always Been Killers

One of the very first articles I ever wrote was this extended essay about why Wolverine should e allowed to be a killer. The article was my measured response to a statement from then Editor-in-Chief Jim Shooter, who was reacting to an X-Men story written by Chris Claremont where Wolverine (apparently) killed a couple of thugs during an X-Man Op. Shooter took exception to the killing, stating that “Heroes don't kill” a sentiment to which I took exception. This then was my response. 

**********


John “Duke” Wayne, who was presented with a medal from the Congress of the United States proclaiming him to be “An American,” killed someone in every movie he ever made...or at least that is the way it had seemed to me when I was growing up. Charlton Heston portrayed several Biblical and historical figures, many of whom were killers. Jimmie Stewart and James Cagney were killers, as were Edward G. Robinson, Bogie, and Bruce Lee, and so too is Tarl Cabot of Ko-ra-ba (from John Norman’s Gor series). They are all killers, yet all are heroes of mine.

Americans have always been big on hero worship, and I am no exception. Killing is wrong, but so many of my heroes have been killers that it is often hard to separate the man from the act. I suppose that the myth that good guys wear white and do not kill is inbred in all of us (or that is what they would like us to believe). We are told that killing is immoral because it says so in the Bible. The fifth Commandment says “Thou shalt not kill.” That settles it. Except that it does not...not really.

A truer translation of that Commandment would read “Thou shalt not commit murder.” That is to say that one should not callously and maliciously take the life of another. And in spite of what anyone tells you, heroes do kill. At least all of my heroes have. But now, even that is changing.

Normally I am a Jim Shooter supporter, but he made a statement that is so foolish that it borders on the ridiculous. In an interview that was printed in FantaCo Enterprises’ The X-Men Chronicles, Shooter stated: “I don’t want the (Marvel) heroes killing people...“This was in reference to the fact that the character Wolverine has been described as a homicidal maniac and that he has been shown clawing up several people to the point of death. To this (which was also brought up in the interview), Jim responded “...one thing that I am forcing Chris (Claremont) and Louise (Jones) to do is to establish that Wolverine hasn’t killed anyone.”

This has been done in X-Men. As it turns out, the men that Wolverine slashed up (in X-Men #133) were “repaired” with bionic parts. While that lets Wolverine (and Chris Claremont) off the hook, I am afraid that it only begs the question at hand. Why is it that heroes cannot kill? As already established, heroes have already done so. As a matter of fact, the history of the Marvel universe is replete with heroes who are killers.

Sgt. Fury and his Howling Commandos, Combat Kelly, and Captain Savage all mowed down Germans during World War II as though the “lager-slurping goose-steppers” were wheat. Further still, Sgt. Fury came back as Colonel Fury, head of the international spy organization SHIELD, and he, along with his agents, cut down Hydra, AIM, and Secret Empire agents with equal abandon. There is also Marvel’s horde of Western heroes, Two-Gun Kid, Kid Colt, Night Rider, and the rest. These men would gun down owlhoots and polecats as soon as roll a cigarette. Granted, while Marvel publishes neither war nor western comics any more, they did publish, until very recently, the spy comic Master of Kung Fu. In MOKF there were several heroes that kill (Leiko Wu, Clive Reston, and Black Jack Tarr, just to name a few). As a matter of fast, in more than just a few of his martial arts confrontations Shang-Chi himself has taken the life of his foes.

I certainly agree that the medium should not portray graphic violence, and I am not suggesting a return to the “blood ‘n’ guts” of the early EC Comics. But heroes can kill. The most flagrant exceptions to Jim Shooter’s decree of heroes not killing are King Kull, Red Sonja, and Marvel’s number one selling killer, Conan the Barbarian. While Kull and Sonja no longer have regular comic books, Conan is still going strong. Now does Jim expect us to believe that Conan has neither killed, nor will he do so in the future? Somehow that seems more than just a bit far-fetched. Do you suppose that in the future Conan will be forced to carry a rubber “mercy sword” so as not to give off a bad image to the kiddies? He would be laughed out of the barbarians’ union.

What is the matter with killing? It is American as Mom and apple pie. And besides, there are still more killers at Marvel. Most of Marvel’s licensed characters kill; James Bond, Luke Skywalker, Leia Organa, Han Solo, and the rest of the Star Wars cast kill. Will Jim have all of them stop killing too? Still one can argue that licensed characters are just that...licensed, and that they were killers before they came to Marvel. Therefore, there is no reason why they cannot kill now. This would exempt everyone from Gullivar Jones to Indiana Jones. Somehow though, that does not seem right. If Wolverine cannot kill, no one else should be able to either. After all, the same kiddies who buy the X-Men are picking up Star Wars and Conan.

Jim’s attitude seems to be that portraying Wolverine as a homicidal maniac encourages young children to go out, have adamantium claws implanted in their wrists, and carve up their friends. To any rational person this seems hardly likely. Still, the issue at hand is violence, and violence is very much a part of superheroing...and killing is a part of violence. Bad guys kill, and sometimes (though not as often) good guys kill, too.


Much to his credit, Jim Shooter did say that when Chris is ready to have Wolverine kill someone, he would want Chris to, “... play it out, address that new conflict...have the guy brought to trial. Let’s see if it’s OK for him to kill someone. Let’s see if it was self-defense. Or was it not necessary? And if it wasn’t, what do they do?” What he had in mind was probably along the lines of what happened to Iron Man in issues #124-127 of his own book, when he blew away (literally) the Carnelian Ambassador. As it turned out for Iron Man, his armor was being controlled by Justin Hammer, and thus Shellhead was exonerated. Yet, what Jim has failed to realize is that Chris has already addressed the issue of Wolverine killing.

There are at least three specific incidents in which Wolverine has killed, or potentially killed; the first lime was in X-Men #116, while the X-Men were in the Savage Land. Wolverine, Storm, and Nightcrawler were attempting to save Cyclops, Banshee, Colossus, and Ka-Zar from Garokk and the High Priestess Zaladane. As they entered the citadel where their friends were being held, they chanced upon a guard. Wolverine stated “... this guy’s mine.” So saying, he stalked forward. In the next panel we saw Nightcrawler and Storm wince in horror as we heard the telltale “snikt” of Wolverine’s claws, indicating that he has cut down the guard. (One cannot help but to wonder if Jim will ‘‘force” Chris to have the X-Men return to the Savage Land and show that the guard never truly died, but survived, and was “rebuilt” with dinosaur parts.) The second lime he “killed” is the aforementioned time where he carved up those three goons at the Hellfire Club. The third incident took place in the X-Men’s 1981 annual (#5), when they went up against the forces of the Badoon in defense of Arkon’s world.

For the first killing, I would like to take as Wolverine’s defense the same as was taken by the writer of the letter column of the now defunct comic Shanna the She-Devil. In issue #2 of that book, Shanna was held prisoner by the Slavers. While in her cell she faked a fight with her pet jungle cats Ina and Biri (also taken captive), pretending to be in great danger. The guard, not wanting any harm to come to Shanna — as per his master’s orders — rushed into the cell to protect her. Once he was in the cell, Shanna had the cats turn on him and claw him to death. The fans were outraged. How. could such a thing come to pass?

Well, the person who answered the letters (I believe it to be the author of the book) put it this way: “We wonder...if, instead of Shanna and the leopards, it had been, say, Sgt. Fury pretending to get into a fight with Dum Dum (as Shanna did with Ina and Biri) in order to lure a Nazi guard into his cell (as Shanna did with the Slaver) and then shooting him in order to escape.” The answerer went on to say that “...in the last analysis, what Shanna did was necessary in her role as a SHIELD operative.”

The same can be said of Wolverine. He is, after all, a military man, and thus thinks along strategic lines. If he had merely knocked the guard unconscious, the guard could have regained consciousness and sounded an alarm, thus preventing the X-Men’s escape. Dead, the guard was resolved as a possible threat. In a combat situation (which this was), any military man would have done the same thing.


While I am on the subject, I would like to (belatedly) address a criticism of this event that was raised by Richard Howell and Carol Kalish in The Comics Journal #49. They had objected to the “moral” Storm’s admiration of Wolverine’s “immoral” act of killing. They seemed to have had overlooked just what she meant when she compared him to “...the great cats of the veldt. When he strikes there is no mercy in him.” She was not truly admiring him, but rather she realized that he could no more feel mercy for the guard (his foe) than could a cat for its prey. Storm could no more object to Wolverine killing than she could to the cat killing. Both only do so when it is necessary. Further support for this stance comes from, oddly enough, Shang-Chi. In Master of Kung Fu #97, Shang’s Siamese cat caught a dove, tortured it, and left it for dead. This upset Leiko Wu, and she mourned for the bird because it never had the chance to be “... what it could have been, what it should have been.” Shang’s reply was short and to the point: “... the cat, Leiko, never had a choice to be anything else.” Storm understood this of Wolverine. So too should Jim Shooter.

It is within this new light that we are better able to understand the second “killing” incident in X-Men #133. Four men with automatic weapons were stalking Wolverine. In the fight that ensued, Wolverine sliced up three of them and convinced the fourth one to drop his gun and tell him where the rest of the X-Men were. Was it wrong of Wolverine to kill the men? Perhaps; but as previously established, it is as much a part of his nature to kill as it is to breathe. Breathing is a necessary act to live, and sometimes to survive (especially against automatic weapons), it is necessary to kill. Once again, in a combat situation, Wolverine had to be sure that his foes would no longer pose a threat to him, and the only way he could do that (he felt) was to kill them.

Wolverine once defended these very same killer instincts in a conversation with Nightcrawler (issue #140) in this fashion:

Kurt, in my life l’ve been two things: a wartime soldier and a secret agent. As one, my government paid me to kill; as the other they licensed me to kill. I was very good at both jobs. They liked that an’ I got the medals and commendations to prove it. A man comes at me with his fists, I’ll meet him with fists. But if he pulls a gun — or threatens people I’m protectin’ — then I got no sympathy for him. He made his choice. He’ll have to live — or die — with it. I never use my claws on someone who hadn’t tried to kill me first. I call that self-defense.
No one condemns the cop on the beat for killing the armed assailant, yet Wolverine is being punished for the very same act.

In the third incident, the X-Men had been summoned to the aid of Arkon and his warrior world against the might of the Badoon. Once more, just prior to battle, Nightcrawler questioned Wolverine about the use of his claws. Wolverine responded thusly: “They ain’t here for show, ‘Crawler. Of course I’ll use them. This is war, pal, an’ I’m a soldier. The Badoon are the enemy. I’m gonna show them the same mercy they’d show me.” Kurt persisted with his objections and Logan responded by saying, “Lay off, Kurt! I don’t hear you askin’ Sashia an’ the warlords their intentions.” Then as if to add impact to this statement, not four pages later Sashia (one of Arkon’s warriors, and the one who summoned the X-Men) hurled a knife into the chest of a Badoon. If the Badoon did not die, it was not for the lack of trying on Sashia’s part.

Wolverine, it seems then, is the only hero who is being prevented from killing, for virtually every other new X-Man has killed, and not one objection has ever been raised. Colossus (under instructions from Cyclops — making Cyclops just as culpable) killed Proteus. To be sure, he did not use a gun or claws, but he stood there on that castle battlement in Scotland and landed a haymaker on Proteus with that organic steel fist of his, knowing full well that it would kill Moira MacTaggert’s son. Then there is Nightcrawler, who has attempted to dissuade Wolverine from killing; he, too, has killed. Twice.

The first time was related in a flashback in X-Men Annual #4: Kurt told how he slew his gypsy half-brother Stefan. Granted, it was done at the request of Stefan (Stefan foresaw the day when he would tum evil and extracted the promise from Kurt to kill him) and Nightcrawler really did not want to kill Stefan, but he did, in fact, do the deed. The second time Kurt killed was a year later in X-Men Annual #5. During the battle with the Badoon, they had engaged the stargate in an attempt to teleport more troops to aid in the subjugation of Arkon’s World. While the gate was activated (and when undoubtably troops were being transported). Nightcrawler fired a blaster into the matrix of the gate, causing it to explode. It was never specifically stated that anyone (on either side of the gate) was killed in the blast, but if no one was, it would have had to be a miracle of no small proportions.

Even the gentle Storm has killed. Though we have never seen the act, she refers to it in X-Men #152. After having had re-exchanged her and Emma Frost’s personalities to their own bodies with the persona exchange module, she cried out, “Hear me, Emma Frost! As a child I swore never again to kill. But tonight, I’ll break that vow.” (Emphasis mine.) Needless to say, she did not kill Emma Frost, but one must ask, whom, then, did she kill? And what were the circumstances surrounding the act? There is another who has killed, Professor X, mentor to the X-Men.


In a flashback related to Lilandra (X-Men #117), Majestrix of the Shi’ar Galaxy, he met and killed, in a psychic duel, the evil mutant Amahil Farouk. Unlike the killings of his students, this was no act of self-defense. The Professor actually sought out and challenged Farouk to the duel. Conceivably the Professor could have said to the offer to join Farouk, “No, but thanks for the offer,” and then left the bar and went home. But no, he had to not only refuse Farouk’s offer, but stay, pick a fight with him, and then kill him. Why could he not just have stripped Farouk of his powers? Perhaps it is as Wolverine stated in X-Men Annual HS, “Killing comes with the territory. It can’t be avoided.”

Jim Shooter has claimed that his heroes will not kill, and he has held up Wolverine to make an example of him...yet the killings go on. In issue #38 of Micronauts, Commander Rann related a story of when he was just Prince Rann. He told how he was assaulted by several assassins, whom he dispatched with a grim finality. And as long as the subject of the Micronauts has come up, all of them have killed, or at least potentially killed. In all of their high-pitched lasersonic battles with the forces of Baron Karza, and later the Force Commander, if no one has “bought the farm,” it’s again not for want of trying. For example, when the HMS Endeavor is involved in a dogfight at several meters (several kilometers to the Lilliputian Micronauts) and a ship is shot down, someone must die in the resulting explosion and/or crash. Just because the reader does not see any broken and twisted bodies in the ruins of the demolished ship, it does not make the deaths any less real.

In Thor #316 we did see the broken and twisted body of the Man Beast, thus we do know that he, at least, is dead. He was rendered into that state by the noble Thor and his honored companion, Iron Man. Now while it is true that in his guise of the Hatemonger, the Man Beast was definitely a threat to mankind, but did these two heroes (sworn to the protection of life) have to callously blow his aircraft out of the sky? Somehow, they seemed to feel that this oath only applied to human life, and not to other forms of sentient life.

If that, then, is the case, perhaps they should have a talk with Cyclops. For in X-Men #155 he refused to kill alien Sidrian Hunters who were menacing him, Storm, and his father Corsair (along with all of Manhattan in the process). “This is no. time for scruples, boy.” Corsair told his son. “They have no compunctions about killing you — or anyone else who gets in their way.” “It’s an act of self-defense,” then you would say. “The hero must kill to remain alive, to fulfill his mission and protect innocent life,” you cry out. “Kill them, after all they are only inhuman monsters...they don’t even look like us.” All these things and more the reader wants to scream at the reluctant Cyclops, but he still refused to kill. Thus, it fell to Corsair to do the dirty deed.

Still again, it is odd that Cyclops refused to kill the Sidrian Hunters, when it was so painfully obvious that they would kill him and that they had nothing in common with the human race. Cyclops seemed to feel no remorse when he ordered Colossus to “duke it out” with Proteus (with whom he had, had very much in common as both were human and mutants). Cyclops knew full well that Colossus in his armored form was lethal to Proteus (who was going to kill Cyclops just as dead as the Sidrians would have). This, then, seems to have become a serious character flaw in Scott Summers’s personality...as he sees nothing wrong with ordering others to kill, but refuses to soil his own hands. Upon closer inspection, the flaw is not in Scott’s personality, but in the logic (or lack thereof) in Jim Shooter’s edict.

Now, there is the argument that the genre of The Micronauts, Conan, Master of Kung Fu, or any of the other “killer” comics presumes that killing is okay; this is absolute nonsense. For the Micronauts, Shang-Chi, Leiko Wu, Reston, and even Conan in his own way, are every bit as moral as Wolverine and the rest of the costumed superheroes. Just because a hero is wearing “long underwear” should not mean that he is restricted from killing his foes, while his uncostumed cousins are free to slaughter at will. Now, while the world is not quite ready for Psycho-Killer Comics, (and I am certainly not advocating such a return), I do not feel that the distinction is not only arbitrary and unfair, but fuzzy at best. Especially when the only one who is being chastised is Wolverine, while everyone else’s killings — including those of his own teammates — go by unnoticed. Policy must be evenly enforced, otherwise it is just so much meaningless drivel.

Wolverine is a homicidal maniac and a soldier. It is the basic appeal of his character. It would be more shocking if Spider-Man were to kill a foe intentionally, because it is just not in his character. On the other hand, killing for Wolverine is very much a part of the game, and no one is more surprised when he uses restraint and does not slay his foe.

Then, by way of adding injury to insult we are force fed What If? #31, What if Wolverine Killed the Hulk? Claremont goes through great pains to establish the character of Wolverine as a psychopathic killer, then goes through even greater pains (by order of Shooter) to establish that Wolverine has not killed; finally, we, the readers, have to suffer through this travesty of a story. (A more believable storyline would have been perhaps, What If the Hulk Had Whaled the Living Daylights Out of Wolverine? “Killed the Hulk” indeed.)

Yet when all is said and done, the final defense of Wolverine’s actions rests ultimately with Wolverine himself. In his own words to Storm as she threatened to kill the White Queen (from X-Men #152):

“... anyone can kill, Princess. It’s easy, I know. What takes courage an’ strength-what separates the humans from the animals — is not killin’. Some people are warriors, darlin’ — born to kill. That’s me. And some exist to show us there’s a better way. That’s you. There’s so much beauty in you ‘Roro. It’d be a shame to spoil it for the likes of her.”
Thus, we see that while Wolverine is ever the killer, he kills neither capriciously, nor indiscriminately, but only with a purpose and with malice aforethought. He kills solely to protect his own life, the lives of friends, and the lives of innocents who are under his protection. Most importantly, he kills with the full knowledge that not only is the act of killing itself wrong, but that someday, somehow, he will be called upon to account for his actions by a higher authority. And when that clay comes — which surely it must — he will use as his defense that he did what he felt he needed to do, as each situation dictated, and furthermore he will accept whatever punishment or reward as that authority sees fit to deal to him.



**********


As a postscript to this tale, after this article appeared in print, I happened across Jeff Rovin Warren Publishing and Seaboard Periodicals at the time. When I showed Jeff my portfolio, he told me that he had just read this article in Amazing Heroes, and he offered me work on the spot. It was that meeting that (quite literally) launched my writing career into the stratosphere. 

Friday, April 26, 2013

Filibuster this!

Patton Oswalt stopped by the set of Parks and Recreation recently and improvised this hilarious example by talking entirely off the top of his head for eight minutes straight about what he thinks the plot of the new "Star Wars" movie should be.

This is hilarious!



This was amazing, however in all of that the only thin that Oswalt got wrong is that the X-Men fly in the Blackbird, not a Quintet (that's an Avengers' vehicle). Still that he got the five Infinity gems counters that minor gaff.

Wednesday, July 04, 2012

My latest Marvel Work

OK Kids, you might already know by now, but the Official Index to the Marvel Universe that I’ve been contributing to for the past three or four years, has finally been canceled. Volume #1 covered Spider-Man, Iron Man, X-Men) I worked on Spidey entries. Volume #2 covered Avengers, Thor, and Captain America (I worked on Thor & Cap). With Volume #3 covering Wolverine, Punisher, & Ghost Rider (I worked on Punisher and Ghost Rider).

Well, with the collecting of the Punisher entries into this bound volume, that's wrap for that series.


Next up is this History of the Marvel Universe comic where I helped frame some of the history.

Hopefully I'll get to do some more work for Marvel soon.

Sunday, January 01, 2012

OK kids, here is a fun way to start out the new year, apparently Marvel Comics lawyers, are having a very real-world battle attempting to prove that the company's mutant characters aren’t human. 


Really. Want to know why? well, if they aren’t human, then it costs the company less to export them to other countries. Seriously
In the non-fictional world, our world, Marvel is taking the position that mutants are not humans at all. But this isn’t an ideological or a moral stance. Instead, it is a financial one. Toys manufactured in other countries and imported into the US are subject to taxes, but those taxes are lower if the toys represent non-human characters. That has led to Marvel lawyers arguing that an action figure representing, say, Wolverine, is actually “representing animals or other non-human creatures (for example, robots and monsters).” This argument leads to a good conversation on the questions of humanity and acceptance that have long been part of the X-Men storyline.
We really can’t make this stuff up.

Wednesday, December 07, 2011

Monday, November 21, 2011

Spidey says Smoking is bad

Several years ago Marvel published a special pro-social comic in conjunction with the American Cancer Foundation (ACF) staring Spider-Man, Luke Cage, and Storm (from the X-Men). that extolled the virtues of stopping smoking. Well, I acquired that comic back when it originally appeared but the other day the ACF set up a boot at my workplace and were passing out copies of the comic (now with a brand new cover).

Needless to say, I'm a sucker for these comics, and couldn’t pass up acquiring a new copy. The original cover is off to the left over here while the new cover is below. The interior of the comic is the same and it is discussed in detail over on Spiderfan.

Enjoy kids, and yeah, Spidey sayd “Don’t Smoke!”


Saturday, July 02, 2011

More Fast Food Superheroes

As discussed, both Captain America and Green Lantern are currently visiting fast food locations this month, (GL is @ Subway, & Cap is @ Dunkin’ Donuts). As we also already know, Green Lantern is also staring in a big budget movie. (Other superheroes in theaters so far this year who also appeared in fast food franchises include Green Hornet (Hardee’s & Carl’s Jr.) and  Thor (7-Eleven), while Marvel’s X-Men made it to the big screen, for some reason there were apparently no toy tie-ins to this comic book flick (fast food or otherwise).

 The sixth and final Green Lantern bag (and bracelet)

Apparently all cold drinks from Dunkin’ Donuts this month come in a Captain America Cup.

Dunkin’ Donuts even altered its logo to reflect Cap’s presence at the Franchise.

Oh, the Cap cup is courtesy of a co-worker (Thanks Lauren).

Friday, June 17, 2011

Comics I've been reading

OK, so a couple of comics I've been reading include X-Men #s7-10. The X-Men are now living out on Alcatraz , but some of them head back east so that they can get into a team-up with Spider-Man (not the real reason). As it turns out, kids are being turned into lizards and they meet up with Spidey and all the heroes go into the sewers of NYC to find the lizard creatures. only one of the X-Men who makes the trip is Storm, who has either apparently gotten over her complete and total phobia of being underground and in enclosed places, or the writer of the series simply never read those earlier Claremont issues where it was established that she had this fear.


Either way, while the art was fine, and the story (other than this HUGE out of character bit), was OK. However, the character disconnect was so huge that I really couldn’t enjoy the story at all.

Next up is Venom (#3).

Venom is now Flash Thompson, who lost his legs protecting his platoon while he was stationed in Iraq. Well, recently, he was given the Venom symbiote by the U.S. military to be a super spy for them. While I’m still not entirely sure if I like this development in Flash’s character, in issue #3 Flash — who was in the Savage Land attempting to protect a shipment of Vibranium, learned that Betty Brant (whom he is dating), was kidnapped, and the kidnapper offered to trade Betty for the Vibranium. So he told Flash to fly the chopper to NY for the trade.


Problem is that I don’t believe that the chopper could have made it from Antarctica to NY in a non-stop flight. I believe that a man can fly. 


You see, while I totally believe that Norse & Greco-Roman gods roam the Earth, and I believe that if bitten by a radioactive spider, you will acquire the proportional strength of one, put on spandex and fight crime. I further will go so far as to admit that if exposed to gamma radiation you will bulk up and turn gray, er, green, ah, red, no, wait, blue…whatever.

What I simply don’t believe is that you can fly a helicopter non-stop from the Savage Land, to Brunswick New York.



Why is it that the folks that are hired to write (and edit) comics simply overlook the parts of their stories that invalidate them instead of working just a bit harder to write believable stories.

Wednesday, February 02, 2011

International Heroes

Some time back I became turned on a Kuwaiti comicbook company that initially entered into the US marketplace by licensing Spider-Man to publish in Arabic for the Mid-East. Teshkeel Comics then moved into a new area by introducing their own characters, The 99. The comic (written by Fabian Nicieza) centers around a group of teenagers who have certain aspects of their personality “augmented” by bonding with several “enhanced” Noor gem stones that have been imbued with one of The 99 special traits of Allah, and then passed these traits each of the individuals. If this sort of sounds a little like the X-Men it is probably because Fabian is a former writer of that team.
Given this double connection to Marvel, it sort of makes the next part of this post even more interesting. The 99 Have recently teamed up with the JLA. Yep, DC’s Justice League of America. Now I’m not sure why this first team-up happened with DC, and not Marvel, but — on some level — I really don’t care, so long as these very cool characters become introduced into the American Audience.

It is one of the goals of Dr. Naif Al-Mutawa (a UNESCO award-winning author and the creator of the 99) to present a positive image of the Arab world and Islamic beliefs, and both the comic itself and his editorials in each issue reflect that approach. Dr. Naif was quick to point out that there is no overt religious message in The 99, nor is he attempting to present a religious image of either Allah or Islam, as that would be something to difficult to attempt. Rather, the comic should be viewed as a typical superhero comic that just happens to take place with a cast of characters that is largely Islamic.

As of yet, I haven’t read the JLA/99 series (for of the planned six issues have already hit the stands), but I’m looking forward to doing so as I have read the first 12 or 13 issues of The 99. The team-up is co-written by Fabian  and Stuart Moore.

Personally, I can only think that this kind of inter-company team-up can be beneficial to both companies by introducing the characters of each to the readers of the others. To be sure, the DC characters are more widely known, but it certainly couldn't hurt to have them favorably introduced into the largely Islamic audience that reads The 99, nor would it be bad for the primarily U.S. audience to get a more favorable understanding of non-threatening Islamic characters.

Saturday, July 17, 2010

Official Index to the Marvel Universe: The Amazing Spider-Man

OK, now this is really cool, you all know that I’ve been contributing to Official Index to the Marvel Universe for some time, well, now Marvel has collected all of the Spidey entries from the first volume (to be sure, they also collected Iron Man & the X-Men, but I didn’t contribute to those entries), and issued them as a softcover edition.

Yep, I though that it is a really nifty thing for Marvel to do as well, and well, I just got my (comp) copies (two of ‘em!) today, so I’m pretty pumped. Further, if I had realized that Marvel was going to issued them as a book, I would have contributed entries to the other series as well, that way I would have gotten my name in the other volumes as well. Needless to say, for the second series (out now) I’m contributing to not on the Captain America entries, but to the Thor entries as well (Maybe I should do a couple of Avenger entries just so I can get that book when it comes out as well, eh?)

This is (in case I haven't already said it a dozen times already), kind of a cool thing for me, and gets me pumped to do more entries (which will make Al, and my editors really happy I’m guessing).

Friday, February 12, 2010

Disney is Evil!

While I’m not saying that this particular project is in the works, it is, however, entirely possible...

Tuesday, February 02, 2010

More Marvel dustjackets & other stuff

I would like to present you with some of my latest work for Marvel. First up, a trio of dustjackets for hardbound collections to which I penned the cover copy. These are TimeStorm 2009–2099, and a pair of House of M collections (one staring staring Spider-Man, Fantastic Four, and the X-Men, and the second featuring Wolverine, Iron Man, and the Hulk).





Next is my latest foray into attempting to index the entirity of the Marvel universe (and no, I’m not doing it either on my own, or even the lion’s share of it, but rather a small portion of the Spider-Man section.


Seriously tho, ain't it wicked-cool?

Friday, November 13, 2009

Comics I’m no longer enjoying

I remember back in high school when I finally got serious about comicbooks, I was a freshman in high school and met a classmate who was reading comics in one of my study halls. We hit it off immediately, and became friends. True,I had been reading comics since 1961 or there-abouts, but I didn't really start buying them regularly until that point.

I had always been more attracted to Marvel over DC, and of course to Spider-Man. One of the other titles I also greatly enjoyed was The X-Men, so I was very excited five years later when they returned to new adventures with GS X-Men #1. Then, over the next 18 years I thrilled to their adventures under the capable writing of Chris Claremont. Around 1993 Clarmont and the X-Men parted ways (rather abruptly).

About a year ago, Chris was reunited with the team with the release of X-Men Forever, which picked up on his interrupted storyline. The premise of the story for this title is that the intervening 16 years never happened,and Chris is picking up from the moment he left telling the story he intended to tell at that time.

I’m not entirely sure I’m buying that. Still, I’ve been reading the story, and well, to be honest, I’m really not having as good a time as I thought I was going to have. The story seems flat and forced, and the whole time I’m reading it, I can’t help but to think that, if this really is the 616 Marvel Universe, how does it intersect with everything else that has gone on with the MU over the past 16 years.

Yeah, this may sound nerdy and geek-like to you all, but remember, I’m currently working on The Official Index of the Marvel Universe, so that makes me an archivist and historian, so these sorts of questions play a real role in the way I view things. Still, that’s only part of my issue. Like I said, the story isn’t ringing true to me, and I don’t know if it is because I’ve been away from these characters for 16 years, or something else, but I’m really not caring about what happens to them.

This is no disrespect to Chris, but I really don’t care much what happens to the X-Men in their regular books either. So there’s that. As it stands, I’m no longer purchasing the title after issue #12.

Another Marvel title (or rather series of titles) I’m not enjoying is the entire Marvel Zombies concept. Sure the first couple were kind of fun, but no, not really. This mostly because I simply don’t enjoy seeing my childhood heroes turned into amoral flesh-eating dead things (and yes, this does make me nerdy and geek-like, only — in this instance at least — I simply don’t care).

What really put that into place for me was the release of Marvel Zombies Evil Evolution, which pits the Marvel Zombies against the Marvel Apes (another concept that I really don’t enjoy, but that’s another story). Reading this particular title is disturbing on many levels. The story has the Marvel Zombies crossing through and inter-dimensional portal in order to eat the Marvel Apes. Part of my problem is that not only am I really having a hard time distinguishing the the two sets of “heroes” but I’m having a hard time lining up the continuity of both groups of characters into what I already know of their continuity (yep, there’s that archivist part of my brain working overtime again, can’t help it).

Anyway, I really only pick up either series when Spidey (or a reasonable facsimile thereof) appears.

I’m thinking I need a better hobby. (Un)fortunately, I seem to be stuck with this one. Ah well.

More Savage Stories of Brenda Steelhammer

Just when we thought we’ve read and reviewed all of Matt C. Ryan ’s Brenda books, we’ve discovered two more that we forgot we had. We’ve pr...