THE RESPLENDENT SOUND OF T.H.U.N.D.E.R.!

 This article originally appeared in Comics Value Annual 1999, and appears here w/permission of both the writer (myself, natch), and the original Publisher. The article has been slightly edited and modified by the original author (again, me) to reflect its new format, and the passage of time. It is being (re)presented here due in part that the original print publication (CVA '99) is long out of print, and the subsequent website thunderagents.com no longer exists.

 

Sired in the Mid-‘60s by one of the Most-Beloved Creators in the Industry, the T.H.U.N.D.E.R. Agents™ are the Superteam that Categorically Refuses to Stay Dead!

 

In some respects, the T.H.U.N.D.E.R. Agents™ have lived a most charmed life, as they have risen Phoenix-like from the grave of cancellation more times and appeared under more corporate banners and logos than any group of superheroes has any right to expect. However—on the other side of the coin—there seems to be some sort of black cloud constantly hovering over their collective heads as they have never been able to make it past issue #20 in any of their many incarnations over the years.

Born in 1965, they sprang—Prometheus-like from the fertile and creative mind of Wally Wood, and—by all rights—they should be as well-known today as their Marvel Comics brethren who came into existence just a few short years earlier. Unfortunately, the breaks just didn’t go their way, and the team (in fact the entire comicbook line), just didn’t make it to the end of the decade. Still, the Agents themselves just wouldn’t give up the ghost, and have (sometimes just barely), continued to maintain a comicbook presence to the current day. A touch over 10 years after their initial series was canceled, ownership, as well as the rights to publish them (including their original adventures), were sold by Tower Publishing to John Carbonaro’s JC Productions.

This began a nearly 20-year effort on the part of Carbonaro to bring (and keep), the Agents back into the public’s eye. After a number of false starts, a copyright-infringement lawsuit (that included two or three comicbook lines of faux-T.H.U.N.D.E.R. Agents™ comics); and far too many abortive efforts and “almost” deals that fell through to delineate here, Carbonaro is (as always), preparing to bring his adopted children back into print.

 

Lightning Strikes the First Time

The T.H.U.N.D.E.R. Agents™ are the creation of Wally Wood, who developed them for Tower Comics in 1965 at the dawning of the Silver Age of comics. Perhaps he was inspired by Stan Lee’s success over at Marvel, or the first “re-launch” of the DC universe, but whatever the reason, Tower (an existing magazine publisher), determined that it was interested in developing its own line of superheroes.

Instead of beginning slowly, and building up the characters over time, Tower jumped right into the fire with both feet, and gave us T.H.U.N.D.E.R. Agents™ #1 in November 1965. In that first issue, we were introduced to not only T.H.U.N.D.E.R. (The Higher United Nations Defense Enforcement Reserves), but the three Agents that formed the original team; Dynamo (their nominal leader), NoMan, and Menthor, as well as the T.H.U.N.D.E.R. Squad. The Squad was a non-superpowered, para-military strike force that supported and backed-up the Agents. The Squad was comprised of Guy Gilbert (Squad leader), Egghead (who went K.I.A. in issue #2), Kathryn “Kitten” Kane, John “Dynamite” Adkins (who was later unsuccessfully groomed to become Dynamo’s replacement), and William “Weed” Wylie. There was also a faceless, unnamed legion of UN-sponsored soldiers who would come in to mop up after the Agents and Squad were finished with their work.

Although the Squad members had no superpowers, they each had their own specialty (Gilbert was a Major and Medal of Honor winner, Egghead was a genius at strategy, Kitten an M.I.T. scientist, Dynamite an underwater demolitions expert, and Weed was an escape artist). As stated, the higher-ups at T.H.U.N.D.E.R. attempted to groom Dynamite as Dynamo’s replacement, but he proved to be not quite up to the task. The Brass had better luck with Gilbert who went on to become the superpowered Lightning.

Two things that made the T.H.U.N.D.E.R. Agents™ different from virtually every group of heroes that proceeded them (and many of those that followed), were 1) the team worked for the United Nations and 2) their powers cost them dearly. Even then, in the unwritten canons of comics, there were essentially three scenarios as to how people acquired their powers and become superheroes. They were either born with them (Thor, Aquaman), acquired them by accident (Spider-Man, Flash), built some device that granted them power (Iron Man, Hawkman), or trained to be the best at what they did (Captain America, Batman, Daredevil). In the case of the Agents, each of them received their abilities by donning a bit of clothing or other device (Dynamo had his belt, Lightning his costume, Menthor his helmet, and NoMan his android body and invisibility cape).

All of these devices had maximum lock-out times where they would automatically shut down and require time to recharge. For Dynamo, it was 25 minutes, with an emergency five-minute back-up. NoMan’s invisibility cape would shut down after 10 minutes. Still, it was Lightning that would suffer the most, for every time he used his super-speed, it shaved time off his life span. Hence whenever he went into action he was literally killing himself. Menthor “suffered” the least. His helmet actually brought the innate goodness of its wearer, eventually turning the double agent John J. Janus (Menthor), from a potential traitor to a loyal agent.

For this he paid the ultimate price, however, and died in action protecting the Agents from the Warlords (#7). This marked perhaps the first time in comics that a major character died in action. Interestingly enough, this scenario was virtually identical to what occurred a couple of years earlier in Avengers #9 where Wonder Man joined the Avengers with the intention of betraying them, only to reform at the last minute and die while saving their lives.

 

Weather Patterns

Not ones to miss a trick, Tower quickly followed up its team book with a couple of titles where members of the team were broken out into solo stories. Dynamo and NoMan debuted shortly after Thunder Agents™ #1. Unfortunately, neither title lasted long (Dynamo went four issues, and NoMan went two). A related title was U.N.D.E.R.S.E.A. Agent, which lasted 6 issues (a seventh U.N.D.E.R.S.E.A. Agent tale appeared in T.H.U.N.D.E.R. Agents™ #16.)

U.N.D.E.R.S.E.A. Agent stared another UN agent (also non-powered, like the T.H.U.N.D.E.R. Squad), named (what else), Davy Jones. Recruited from the Navy, Jones went to work for the United Nations Department of Experiment and Research Systems Established at Atlantis. Though Jones never met anyone from T.H.U.N.D.E.R., and there were no common characters in the two series, it can only be assumed, that—had the two titles continued—they would have eventually crossed paths.

Another pair of Tower books were Fight the Enemy (3 issues), a WW II anthology title; and Tippy Teen (an Archie-like book that lasted 28 issues, including a Special Collector’s Edition). Still, in spite of what seems like a fairly solid line-up of comics for the mid-to-late ’60, Tower wound up pulling the plug on the entire division in ’69 (T.H.U.N.D.E.R. Agents™ went to issue #20). While this could very well have been the last chapter in the story of Len Brown (Dynamo) and his friends, it proved to be merely the first chapter in what has turned out to be a long and strange trip indeed.

 

The Coming Storm

In 1981, fan-turned-(semi)pro John Carbonaro acquired the rights to Wally Wood’s best-loved children. He subsequently produced one B&W, magazine-sized issue on his own before striking an arrangement with Archie comics to continue the series. Under the arrangement with Archie, Carbonaro continued to produce and package the Agents under the JC Comics label, while Archie acted as printer and distributor. The JC/Archie T.H.U.N.D.E.R. comics were produced in color, and standard comic-book sized. Unfortunately, due to a convoluted set of incidents, that arrangement didn’t last very long (two issues of T.H.U.N.D.E.R. Agents™ , plus three issues reprinting from the original Tower series). A third, original T.H.U.N.D.E.R. Agents™ story appeared under Archie’s Red Circle logo in Blue Ribbon Comics #12, an anthology title.

Shortly after this, Carbonaro met up with David Singer, which would send John down a long, tortured path and all but kill the Agents as a viable set of characters. Singer, a self-professed fan of the Agents who imagined himself a junior-grade Stan Lee, managed to ingratiate himself with Carbonaro, first presenting himself as a partner in Carbonaro’s publishing company and then as his legal representative (Singer had a law degree, but had not yet passed the Bar). According to Carbonaro, Singer utilized his inside knowledge of the dealings between Carbonaro and Tower, and then attempted to assume ownership of the agents by presenting himself as Carbonaro’s legal representative. When this failed, he claimed that the Agents existed in the Public Domain and attempted to wrest the Agents away from Carbonaro.

Apparently, Tower (which published magazines, but had no experience in publishing licensed characters), had inadvertently left the copyright notice off several copies of the various comics they published. Singer used this loophole to attempt to declare that the Agents had fallen into the Public Domain allowing anyone could publish them. He went so far as to issue a press release to this effect where he boldly proclaimed that “All God’s Children” could publish the Agents, and then proceeded to do so under the Deluxe Comics banner without Carbonaro.

Knowing that Tower’s copyright and trademark on the Agents were valid and legal, Carbonaro sued Singer for copyright infringement in 1984, beginning what turned out to be a protracted and nasty legal battle that lasted three years and rocked the industry. In 1987, Carbonaro proved victorious and regained control of his beloved Agents. (He has also firmly established his ownership over the copyright and trademark of the Agents and has been issued papers to that effect by the Copyright and Trademark offices of the U.S.) As part of the suit, he acquired all of the T.H.U.N.D.E.R. material that Singer had published. At the time of Carbonaro’s victory over Singer, Deluxe had long-since gone out of business, due mostly to Singer’s own ineptness, lack of business acumen, shady dealings, and failure to pay his creators either on time, or what he had promised them. (Not to mention, Carbonaro had enjoined the major distributors from handling the Deluxe comics by naming them in his suit, thus severing the company’s cash flow and access to the marketplace.)

The long legal battle over The T.H.U.N.D.E.R. Agents™ ultimately asserted three things: 1) Tower Comics’ original copyright and trademarks on The T.H.U.N.D.E.R. Agents™ were valid and legally binding; 2) Carbonaro was now (and always) the legitimate and legal holder of those rights; and 3) Deluxe Comics was in violation of Federal Copyright and Trademark laws. Carbonaro’s resounding victory over Deluxe resulted in a settlement which included cash, plus Deluxe surrendering all story and art copyrights, as well as all back-stock to Carbonaro.

At long last, Carbonaro was vindicated.

 

Stormy Weather Ahead

While his legal troubles were largely behind him, Carbonaro now began a decade-long search for a new home for the Agents. By his own accounting, Carbonaro spoke with virtually every major and numerous minor comicbook publishers in his quest to get the Agents back into print (including, but not limited to Marvel, (Marvel’s Epic line), DC, Image (Extreme and WildStorm), Dark Horse, Comico, Apple (with whom he actually struck an agreement, but never managed to publish) and others. He also had discussions with a number of production houses and creators in an effort to generate either a movie or animated TV series (Batfilms, Marv Wolfman, etc.), all to no avail.

In 1994, he finally struck a deal with George Caragonne and his company, Constant Developments, Inc. (CDI), to begin production of new T.H.U.N.D.E.R. Agents™ stories. Shortly after announcing his deal with Carbonaro, Caragonne hooked up with Penthouse magazine where he began to produce a line of Adult comic magazines for the company. In addition the Adult comics, Caragonne launched Omni Comics, which, in issue #3, included the first chapter of what was to be a four-issue T.H.U.N.D.E.R. Agents™ story. (This story was supposed to appear as a standard, stand-alone T.H.U.N.D.E.R. Agents™ comic, but—again for convoluted reasons—never did.) Unfortunately, tragedy struck again. Caragonne was dismissed from Penthouse and, despondent, took his own life.

Without Caragonne to head up the comicbook division, Penthouse scaled back its operation and canceled most of its line (including Omni Comics). Once again, the Agents were without a home and fell into the limbo of non-publishing.

 

Echoes of T.H.U.N.D.E.R. (Future)

Never one to admit, acknowledge, (or even spell), defeat, Carbonaro continues to soldier on. He has “re-acquired” publishing rights back from Penthouse, as well as the existing (Omni) T.H.U.N.D.E.R. artwork, and is currently in the process of re-(re)-launching the series. This time out he is doing it on his own and not relying on others to helm the series that he has held close to his vest for over a decade. Carbonaro (“Carbs” as he is affectionately known to his “friends”), has long held the faith that—given half a chance—the T.H.U.N.D.E.R. Agents™ can make a solid go of it and turn into the money-making franchise that it was always meant to be.

One can only hope he is right.

 

Additional T.H.U.N.D.E.R. Stories

In addition to the above, there was a T.H.U.N.D.E.R. Agents™ series containing original stories which was published in England. This series was officially licensed by Tower prior to the sale of the characters to Carbonaro. It is unknown how many issues of this comic were published, or in what year(s) it was published. Only one copy of a single issue is known to exist.

A single issue of a T.H.U.N.D.E.R. Agents™ comic was published by Solson in the ‘80s. This story was officially licensed by Carbonaro. The story was a future, alternative time-line which included all of the Agents, and may or may not be considered part of the official canon. NoMan appeared on the cover.

There was also (at least three) comics that parodied the Agents. Two of them—The Inferior Five #1 (DC, 1972), and Not Brand Echh #2 (Marvel, 1973)—that did so while Tower was still publishing. The third (Boris the Bear, Dark Horse, mid-to late ‘80s), did so while Carbonaro owned them. Dark Horse was served with a “cease and desist” notice from Carbonaro, and refrained from future parodies.

There was at least one issue of Thunder Bunny in which the Agents appeared, which received the tacit approval from Carbonaro (albeit later). Other publishers announced comics staring their version of the T.H.U.N.D.E.R. Agents™ — when the Agents were thought to exist in the Public Domain — but never delivered due to either notice from Carbonaro detailing his ownership. One of them, Americomics’ own inability to produce such books prevented it from issuing a series while Maximum Comics announced a T.H.U.N.D.E.R. Agents™ comic, but no proof exists as to whether or not it ever managed to actually publish the comic.

 

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T.H.U.N.D.E.R. Agents News

If you like the T.H.U.N.D.E.R. Agents (and we know that you do), issue #7 has been reviewed here, so check it out, then go and buy a copy of issue #8 as well.

We are husge fans of the original series, as well as supported all of John Carbonaro’s attempts to revive it, and well, now that DC Comics is publishing it, we are truly enjoying their adventure.

Scribe, Nick Spencer is seriously kicking it, and we are having a great time.

T.H.U.N.D.E.R. Agents, a second look

I have now had the opportunity to check out DC Comics second issue of The T.H.U.N.D.E.R. Agents, and well, I hate to say it, but I’m almost about ready to pull my near-unanimous support for the title, based solely upon my read of this second issue, and that, my friends is truly a damn shame.

I really want this book to succeed, I also really want to like it, but, I’m afraid that if the writing follows the industry’s current standard to pad out each story so that what used to be an eight-to-10-page story now fills a full-blown graphic novel, that neither is going to actually happen.

This particular story, Live Fast Die Young follows the New Lightning, a young man from Kenya named Henry Cosgei, who is from a particular tribe in Kenya that are all great runners. The story almost slavishly follows Henry as he progresses from a young man to Lightning, even as it jumps through his life it concurrently follows the present-day story of the two T.H.U.N.D.E.R  back-room operatives (recruiters-cum-handlers if you will) who convince Henry to run for them.

Sure, I know that it is typical for writers to serve up an “off-speed-pitch” in the middle of their story-lines to flesh out the backgrounds of their characters, but this is the second issue, and we are already here. Personally I think it was too soon in the chronology to slow the story down quite this much, but hey, what do I know?

Still, while it is a tad premature to bail so completely on the series, I will admit that I'm not quite so enthusiastic as I was just 30 short days ago when I snatched up and read issue #1. Now I’m going to have to wait a few more issues before I go so far out on a limb as I previously did.

I’ll keep you all informed.

T.H.U.N.D.E.R. in the (comicbook) Heavens!

Truthfully, I wasn’t ever sure that I would live long enough to actually see this day. No, seriously. This week a brand-new issue of the T.H.U.N.D.E.R. Agents hit the stands for the first time in like 15 years. (The last original occurrence of the Agents appeared in OMNI Comics #3 (1995). Prior to this single story (the first in a new, authorized line) there were two other unauthorized occurrences of the Agents (Deluxe Comics, ‘84 & Solson Publications ‘87). Other than the Omni appearance the previous authorized appearances were in Texas Comics, the JC Comics line, and Archie Comics' Red Circle Comics line (all ’83).

I had all but given up hope. Then,after my friend John Carbonaro (legal owner of Wally Wood’s legacy), passed away a year or so back, I was approached by the executor of John’s estate to consult with him on the disposition of the property (to the point, he wanted to know who had expressed interest over the years, and who might offer him the best options for licensing the property — a service I was happy to perform). Well, as you all know by now, the characters wound up at DC, and, well, now that I’ve read the first issue, I have to say two things.


1) So far, I really like what I see
2) John would have hated it.


Please be assured, this is no reflection on the quality of the comic (which is a good as any superhero book I’ve ever read), but simply because John had a very specific vision of who these characters are (were) and, well, this wasn’t it. John saw his role in the Agents story as a caretaker for the legacy of Wally Wood. He never wanted to re-imagine them (even though virtually everybody who wanted to license them wante to remake the Agents — not so much as Wood left them, but as they (the new creators) envisioned them.


No, this isn’t what John wanted. For years I argued with him against this stance, now that he is gone, I trully understand what he was trying to say all along. Again, this is not to reflect poorly on what Nick Spenser has delivered, this is just “different” from what John wanted, based on his perception of who the Agents were as originally perceived by Wood.


Still, to the issue at hand. 


DC’s T.H.U.N.D.E.R. Agents. The original team is long since gone (dead, one presumes), and well, by the end of the first issue, so too is the current team (sorry this might be something of a spoiler, but as it is something of the core precept of this new incarnation, there really is no way around revealing it. You see, as we always knew, the items that endow the Agents with their super powers are slowly killing them (which is what made the Agents truly unique in the first place), this new incarnation takes that aspect and amps it up to the max. 

Let me just let that settle in for a moment. Everyone is expendable.  As a fan of the original series, I’m not quite sure I like that, but as a fan of the series, I think it is truly a wicked-cool idea. Think of it as the cast of the original Law and Order TV series, only in spandex and with a life-expectancy. Over the 20-year run of the series, every character was replaced at least once, and some, several times (with one or two returning in the same roles). This way, the writer can play around with the ever-fluctuating dynamics of the group. 


From a creative point of view, the book will (or should) never get stale. If one character becomes boring, or plays out his or her story, simply write them out of the series and replace them with someone else. Cast becoming too squeaky clean? Mix it up with some bad boy/girl characters. Alter the diversity or gender ratio of the group. Want to really shake thing up? Kill off the most popular character.


If this sounds callous, perhaps it is, but work with me for a minute here,, why not? One one biggest grips with a series is that nothing can ever really change. Joe Quesada thinks that Peter Parker should not just NOT be married, but Never have been married, because to him, Spidey should remain — if not a teenager in high school — as close to that has possible. Sure sure, Superman, Captain America and other heroes died, but since they still need their respective comicbook companies still need the characters to license T-Shirts, toys and the like, we all know that they are coming back (witness the recent resurrection of numerous Marvel & DC characters over the past couple of years). 

On TV, we all know that nothing really bad will ever happen to the title character in a series because they need to be there next week. With shows like Law & Order, that isn't so true any more. Now, with this same approach in T.H.U.N.D.E.R. Agents, the same can be said. Is there a down side? Absolutely, but this reviewer (and friend of John Carbs), thinks that it is a good thing, and while I’m totally sure that John would hate it. I honestly feel that the best way to honor his legacy (to keep the Agents relevant), this is the way to go. 


Personally, (and based solely on this initial issue, as well as this approach) I give the new series my full approval. Now (hopefully), Nick Spencer will live up to not only my high hopes, but John’s stubborn endurance, as well as the enduring legacy of Wally Wood himself.